Lontar (54)

LONTAR

Titles released under the Lontar imprint are primarily translations of Indonesian literature. Exceptions include large-format books that embody Lontar’s mission of enhancing international knowledge of Indonesian culture.

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  • A Conspiracy of God-killers by: Triyanto Triwikromo Rp175.000

    The poetically-crafted stories found in this collection by Triyanto Triwikromo –the first by this writer in English translation, are leavened by sardonic wit, a touch of the absurd, and the bizarre in a world gone mad. A Conspiracy of God-Killers is not itself the title of any of the short stories in this collection but derives from a suggestion by Triyanto himself. And small wonder! The title embodies the dominant theme of these stories: that organized violence and persecution of the vulnerable amounts to a conspiracy against God.

  • A Student Named Hijo by: Mas Marco Kartodikromo Rp150.000

    A Student Named Hijo has been recognized for depicting a new Indonesian youth culture that has adopted Western cultural and lingual facets. By contrasting traditional Javanese and Dutch cultural values, the author advocated a view that the two are incompatible. This includes love, described in the novel as something only those with

    a Dutch education would attempt to find. Rejected for publication by Balai Pustaka, the Dutch controlled publishing house, the work is now considered a classic.

  • Anggadi Tupa: Harvesting the Storm by: John Waromi Rp150.000

    The first ever novel by a Papuan author, this story of generosity, greed, and resilience follows the friendship of several underwater and amphibious creatures. In this ecological parable, John Waromi shows the effects of “harvesting the storm” and reaping the results of actions beyond our control. He sheds light on not only the ecology of the southern Papuan coast but also the lives of its people and their culture.

  • Anxiety Myths by: Afrizal Malna Rp150.000

    In a writing career spanning more than thirty years, Afrizal Malna has published several major collections of poetry and has seen his poems translated into several languages. Afrizal is concerned with questioning language and with bodily engagement with public and private spaces. It is through the appearance of everyday objects that his poems emerge as a repository of the cultural meanings of space and objects in Indonesia’s everyday modernity. His poems maintain a fine balance between consistency of style and variations in theme. These are poems that trace the quickly changing urban trajectory of present day Indonesia.

  • Before Dawn by: Sapardi Djoko Damono Rp150.000

    Sapardi Djoko Damono, one of Indonesia’s most productive and popular poets first began writing poetry as a high school student in the mid- 1950s. Before Dawn includes poems written by the author over a forty year time span, from 1961 to 2001. Arranged as they are in chronological order, the poems in Before Dawn together form a kind of poetic autobiography.

    In “One Night,” written in 1964, the author is a young Muslim boy crying outside the church door as his classmates celebrate Christmas. In the 1967 poem, “For my Wife,” he is a young husband telling his wife that “the earth holds a spray of flowers, just for you.” In the 1981 poem, “In the Hands of Children,” he is now a doting father marveling that “in the hands of children, paper becomes Sinbad’s ship.” Jump to the 1989 poem, “At the Restaurant,” and he is now middle aged and wondering about the constancy of relationships – whether two people can ever truly share an eternal love. And finally, in the 2001 title poem, “Before Dawn,” the poet is a much older man, whose concerns are mental and physical frailty and, of course, death.

    Available in e-book

  • Ceremony by: Korrie Rayun Lampan Rp150.000

    A coming-of-age story, a tapestry of erotic and tragic liaisons, a dreamscape of nightmares and wonders. But Ceremony is, above all, a tribute to the ceremony-rich life of the Benuaq Dayak, one of the many “upriver people” of Kalimantan. This post-modern (and first) novel by Korrie Layun Rampan took Indonesian literary scene by storm when it won the Jakarta Arts Council’s novel writing competition award in 1977. After winning the award, Korrie continued to establish himself as one of Indonesia’s major literary figures, but four decades later, Ceremony still has the power to thrill, awe, and mystify readers. This edition is graced by an informative introduction by noted French scholar, Bernard Sellato, on the rituals of the Benuaq Dayak people. It also contains a critique of the original edition by Indonesian poet and translator Dodong Djiwapradja.

  • Departures by: Nh. Dini Rp175.000

    As a flight attendant for the new Indonesian Airlines, Elisa is determined to establish her independence and find a place where she really belongs. With a troubled family background and almost no knowledge of her ancestors, Elisa is searching for her true identity. The search for her true father proves to be heartbreaking and Elisa grows to hope that her marriage to a handsome Javanese man she fell deeply in love with will give her a sense of belonging ad stability. In this novel, Elisa learns what it means to be a young woman finding her way in the troubled early years of Indonesia’s independence.

  • Drought by: Iwan Simatupang Rp150.000

    Drought is a celebration of life and human commitment. The hero decides to move to one of Indonesia’s outer islands, in a government-run program called “transmigration”, to start a new life as a farmer. His near-failed effort takes him to meet various inspired madmen—bureaucrats, bandits, psychiatrists, religious teachers, and a beautiful woman known only as the V.I.P. The combination of these characters will make us question what is considered “normal” in a conventional society. The book is a lyrical testimony of the strength and unpredictability of human character.

  • Earth Dance by: Oka Rusmini Rp150.000

    Earth Dance tells the story of four generations of Balinese women with conflicts arising from the demands of the caste system and personal desires. Our narrator, Ida Ayu Telaga, reveals how Balinese women wish to be beautiful and ultimately, find a husband from a higher caste group. When the stubborn Telaga defies her mother’s wishes and marries a commoner, her surroundings think this is a downward move. Behind their thick glossy hair and golden complexions, lies a web of jealousy and intrigue that bewilders Telaga: Is this what it means to be a woman? Earth Dance has been translated into German and published under the title Erdentanz.

  • Eyewitness by: Seno Gumira Ajidarma Rp150.000

    On November 1991, Indonesian soldiers opened fire on protestors in Dili, capital of East Timor, killing an estimated 250 people. For publishing a report on this massacre, Seno Gumira Ajidarma, an editor of Jakarta-Jakarta magazine at the time, was dismissed from his position. He sought another way to tell the truth about what was happening in East Timor –this time through “fiction.” The stories in Eyewitness both unsettle the mind and pull the heartstrings. With their strange, unnerving style, the stories also represent one brave author’s refusal to forget. “When journalism is gagged,” the author once said, ”literature must speak.”

  • Family Room by: Lily Yulianti Farid Rp150.000

    On November 1991, Indonesian soldiers opened fire on protestors in Dili, capital of East Timor, killing an estimated 250 people. For publishing a report on this massacre, Seno Gumira Ajidarma, an editor of Jakarta-Jakarta magazine at the time, was dismissed from his position. He sought another way to tell the truth about what was happening in East Timor –this time through “fiction.” The stories in Eyewitness both unsettle the mind and pull the heartstrings. With their strange, unnerving style, the stories also represent one brave author’s refusal to forget. “When journalism is gagged,” the author once said, ”literature must speak.”

  • Fireflies in Manhattan by: Umar Kayam Rp175.000

    Fireflies in Manhattan is a collection of stories that represents three major stages in Umar Kayam’s literary career: stories about New York; stories about the 1965 Communist coup that remain unmatched for their sympathy towards innocent victims; and a series of poignant stories about Lebaran, the time of the Moslem year where those who have been away from home are feeling homesick. Umar Kayam’s stories vary greatly in subject and tone, but in all of them we can always hear the voice of the common man. Author of a large number of books brimming with different styles and genres, Umar Kayam gained a highly-deserved reputation as the voice of the common man. His books include short story anthologies, essays, novels, and children’s stories. His short story, A Thousand Fireflies, won the Horison Literary Prize in 1967 and he was named the recipient of the 1987 S.E.A. Write Award.

  • Home by: Leila S. Chudori Rp250.000

    Home is a remarkable fictional account of the September 30th Movement’s impact on people’s lives. This “movement” led to the murder of a million or more presumed “Communists” and the imprisonment of another tens of thousands of people. At the time, thousands of Indonesians who were abroad had their passports revoked and were exiled. History was manipulated by the Suharto government to cast a favorable light on their involvement in this tragedy. A whole generation of Indonesians were raised in a world of forced silence, where facts were suppressed and left unspoken. Although the tumultuous events of 1965 envelop Home’s background, this is not a novel about ideology. Going back and forth between Jakarta and Paris in 1965 and 1998, Home is about the lives of Indonesians in exile, their families and their friends, including those left behind in Indonesia. It is not only a story of love, lust and betrayal, but also of laughter, adventure and food.

  • I Am Woman! by: Lily Yulianti Farid, Oka Rusmini, Putu Wijaya, Rp150.000

    Indonesian author Seno Gumira Ajidarma once wrote, “While journalism speaks with facts, literature speaks with the truth.” The truths found in the fourteen stories in this collection derive from the lives of women in contemporary Indonesia and the ways they manage to carve new spaces for themselves in difficult circumstances. While their victories are not always grand, these women roar as they proclaim their tales.

  • Javanese Gentry by: Umar Kayam Rp250.000

    The Javanese Gentry depicts the implicit concerns of many characters who can only dream of achieving the status of a gentry. When Sastrodarsono returns to his village as a school teacher, by virtue of the job, he becomes a gentry. The book follows Sastrodarsono’s family across different periods of Indonesian history: the late colonial period, the Japanese occupation, the war for independence, and two decades of social disorder that ends in the mid 1960s with the rise of Suharto’s New Order government. Author of a large number of books brimming with different styles and genres, Umar Kayam gained a highly-deserved reputation as the voice of the common man. His books include short story anthologies, essays, novels, and children’s stories. His short story, A Thousand Fireflies, won the Horison Literary Prize in 1967 and he was named the recipient of the 1987 S.E.A. Write Award.

  • Jazz, Perfume & the Incident by: Seno Gumira Ajidarma Rp150.000

    On November 12, 1991, the Indonesian military opened fire on protestors in Dili, East Timor. Hundreds were killed and accounts of this massacre sparked international outrage. In Jakarta, a cover-up began immediately and the Indonesian mass media was cautioned to tow the official line. Seno Gumira Ajidarma refused to do so and transformed documentary evidence into semi-fictional form and published it as novel. This novel is a triptych, the first two of which—“Jazz” and “Perfume”—should be easily recognizable to most readers but “the Incident” is a collage of documents on an event in Indonesian history euphemistically referred to by the same name.